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LondonTheatre1
londontheatre1.com > edinburgh-fringe > sam-morrison-duck-gilded-balloon-teviot

Sam Morrison: Duck | Gilded Balloon Teviot

4+ hour, 22+ min ago   (791+ words) I wondered if Duck was really meant to be a show called a four-letter word beginning with F, but had to be called something else on the grounds of public decency. I stand by this hypothesis, even if the show…...

LondonTheatre1
londontheatre1.com > edinburgh-fringe > man-sings-the-same-song-over-and-over-again-for-an-hour

Man Sings The Same Song Over and Over Again For An Hour

5+ day, 18+ hour ago   (109+ words) Repetitive? Well, duh. But never, ever boring. Review by Chris Omaweng Man Sings is Australian comic Conk’s deceptively simple, delirious fever dream for al to enjoy. Connecting a room of strangers through a feat of utmost stupidity, the show cherishes…...

LondonTheatre1
londontheatre1.com > edinburgh-fringe > target-audience-pleasance-courtyard

Target Audience | Pleasance Courtyard

6+ day, 15+ hour ago   (47+ words) Review by Chris Omaweng James Coward – Angie Molly Windust – Bruiser Rheana Kamalu – Isabelle Henry Calcutt – Tobias Written and directed by Dan Bishop TARGET AUDIENCE Pleasance Courtyard at the Edinburgh Fringe 5 to 30 August 2026 Rockpools | Pleasance Courtyard Rosie Holt: The Illegal Aliens…...

LondonTheatre1
londontheatre1.com > edinburgh-fringe > broccan-tyzack-carlin-good-news-its-been-destroyed

Bróccán Tyzack-Carlin: Good News! It's Been Destroyed

6+ day, 15+ hour ago   (101+ words) Review by Chris Omaweng Rylan Clark is spreading misinformation on breakfast TV; Matt Lucas is blocking comedy poets he’s never met on Twitter; and our Government is betraying their (once upon a time) interest in human rights. Are our politicians,…...

LondonTheatre1
londontheatre1.com > reviews > can-you-see-me-museum-of-comedy

Can You See Me? | Museum of Comedy

2+ week, 3+ day ago   (495+ words) The Museum of Comedy is London’s hidden treasure, a shrine to the acts of yesteryear and hands down the best lobby in the capital to wait in before a show. An ideal place to mark the debut performance of Vivien…...

LondonTheatre1
londontheatre1.com > reviews > wilder-etcetera-theatre

Wilder! | Etcetera Theatre

2+ week, 6+ day ago   (244+ words) Wilder! is a show that is full of well-developed comedy, drama and excitement. I look forward to seeing this show go further on its journey of discovery and adventure ahead. Review by Sascha Cooper In picture-perfect suburbia, where a community…...

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londontheatre1.com > reviews > murder-games-a-double-bill-arcola-theatre

Murder Games: A Double Bill | Arcola Theatre

3+ week, 6+ day ago   (349+ words) The set this time is simply hopscotch markings in chalk on the floor. Chalk features heavily, with the bodies being outlined on the floor like in a detective drama. It’s clever and effective in a small space for a production…...

LondonTheatre1
londontheatre1.com > reviews > book-club-bread-roses-theatre

Book Club | Bread & Roses Theatre

1+ mon, 6+ hour ago   (276+ words) Written and directed by Kate Bromage and performed by amateur theatre group New Stagers, this comedy play, written in 2020 and last seen in 2023, is getting a revival at the Bread and Roses Theatre ahead of an Edinburgh Fringe appearance in…...

LondonTheatre1
londontheatre1.com > reviews > philosophy-of-the-world-the-yard-theatre

Philosophy of the World | The Yard Theatre

1+ mon, 1+ week ago   (179+ words) The same goes for the first show in the new Yard. Not everything made sense to me, but the sheer honesty was refreshing. Following the seemingly unstructured and disorderly nature of the album from which the show takes its title,…...

LondonTheatre1
londontheatre1.com > reviews > the-jonathan-larson-project-southwark-playhouse-borough

The Jonathan Larson Project | Southwark Playhouse Borough

1+ mon, 1+ week ago   (412+ words) Jonathan Larson matters because his work fused rock energy, social consciousness and emotional directness, and the success of Rent brought younger audiences into Broadway theatres whilst demonstrating that musicals could be both commercially viable and socially radical. The Jonathan Larson…...